Map of the deforestation of Bolivia, via Earth As Art (a NASA initiative). My life’s More.
Guest post by Max Rosin-Melser. In the second post on the book ‘Anti-Object’ [#1 here] More.
“Remember the old Simon and Garfunkel song ‘slow down, you’re moving to fast’? Well that More.
“I mean demagoguery, I mean highly-charged oratory, persuasive whipping up, rhetoric. Listen to me, if More.
I was messing about with some HTML on this player. One click stops, two clicks More.
“Gentlemen, we may not make history tomorrow, but we shall certainly change the geography.” And More.
Possibly you’ve seen this ad by the World Wildlife Fund (who’d have guessed?) kicking around More.
Image via (via). Some retroactive posts on Marseille will be appearing below, so be sure More.
New Babylon: crazy utopian dreams. Chain chain chain. Chain of fools: some news. Banning porn More.
A retroactive post. The landscape around Marseille is quite spectacular, as chalky as Greece but More.
Marseille: city of the ‘bar’. Note the amazing building right at the back with a More.
Responsible response to context. Marseille is modernising rapidly. The idea is to develop the run-down More.
Bunker complex on the island of Ratonneau, part of the Frioul archipeligo. Map. A retroactive More.
In the Cretaceous Period, tens of millions of years after the laying down of the More.
One of Kenzo Tange‘s early Metabolist (not yet Structuralist) projects, 1961. From the point of More.
Guest post by Max Rosin-Melser.This is the first of three posts Jack and I will More.
via Eric’s Little Dark Star. The daisy chain of links that groups us all together: More.
The Guggenheim effect – where specular/speculative architecture really began. Today I am going to build More.
The Parthenon. After seeing Jason Salavon’s ‘Every Playboy Centerfold’ series, in which he overlayed a More.
The Arch in the late 50′s. “The Euston Arch was a powerful symbol of the More.
Battersea as it was, and as it could be… Millennium People projects a garden into More.
Drawing made using Terragen2, here. Landscape rendering software is becoming increasingly powerful – several images More.
Cedric Prices’ 1961 project Fun Palace, at Mill Meads. The site today, photo by Lara More.
via Discovery. In tracking shark movements, scientists have observed large congregations of sharks during specific More.
Will, the powerstation in the background, and the Thames beach… Word on the street is More.
Old London Bridge, the drawbridge visible in the middle via. Circa 1831, the new bridge More.
A fragment of bunker that has toppled from a cliff above and is slowly being More.
An eye for an eye: if Prince Charles thinks he can meddle with modernism, than More.
The final destruction in Antonioni’s 1969 Zabriskie Point Even when the bourgeois Chelsea Marina mob More.
Green Room, by lanscape artist collective A12, at the Barbican The Barbican’s got an exhibit More.
Detonation of seized weapons in Afghanistan, via militaryvideos.net – by the troops, for the troops… More.
The star-forming region LH 95 in the Large Magellanic Cloud, via Hubble (also, hi-res 2mb) More.
Under the pavement the beach: mid-70′s, just after the completion of the extension of Manhattan, More.
A mapping exercise I executed on the zoning and usage of Gennevilliers. Today’s post primarily More.
The parthenon gallery at Tschumi’s new museum. The other place I visited when in Athens More.
A. London Bridge (dating from 1973) B. Location of London Bridge prior to 1831 C. More.
2001: the spacemen descending into the moon pit, monolith at its centre. Sticking on the More.
image via deezeen Why is it that in studio one’s own architectural projects are always More.
My one-time boss and long-time idol Jean Nouvel is relaunching the French magazine “l’Architecture d’Aujourd’hui” More.
This video made me think of Warhol’s EPI, and his Electric Circus club, Fabrizio Fiumi, More.
“‘The travel agency you tried to attack, I assume there’s a larger target – Chelsea More.
Saturday: SANNAA’s new pavilion at the Serpentine Gallery. The architects statement: ‘The pavilion is floating More.